Sports and Stadium Food: Nationalism and Internationalism – Duplicate – [#1461]
A Tooth Fairy Manifesto Willa Siegmund – December 2024 Today alone I have visited 478 bedrooms. I have always wondered […]
A Tooth Fairy Manifesto Willa Siegmund – December 2024 Today alone I have visited 478 bedrooms. I have always wondered […]
Sports and Stadium Food: Nationalism and Internationalism Sören Tollis – March 2025 “They are unique; they are fun; they’re different
For this project, to showcase my understanding of not only the text, but also the historical context and the author’s personal history under which the piece was written, I decided to adapt Sei Shonagon’s The Pillow Book into what I believe a modern-day rendition would resemble. All of the writing is completely my own, drawing inspiration from the general work as a whole, as well as specific passages. All images were found online, but were collaged by me. In total I wrote 19 short pieces, each of which can be broadly categorised under six different categories: descriptive image, descriptive lists, non-descriptive lists, opinion pieces, anecdotes, and romantic scenes, though there is obviously significant overlap between these categories, with many pieces fitting into several (which is true also of the original). The following analysis will walk you through my thought process when creating these pieces, as well as the reasoning behind specific stylistic choices, explaining what the intended goals of the pieces were.
Before getting into the big reflection part I do want to say that I appreciate having the opportunity to do this. I have made videos before but this is probably the longest and most complicated video I have done in my life I did my best to balance entertainment, cooking, research, and personal thoughts.
Food, since ancient times, has not just been something people use to survive. Imaginative human beings are very good at conveying special meanings and emotions through the food they have access to on a daily basis. In East Asia, such examples are common.
As a girl who grew up in China and learned Chinese classical dance since childhood, I have always been very interested in traditional Chinese dance and music. In my opinion, traditional Chinese dance and music are not only works of art but also contain many cultural, historical, and philosophical ideas.
Before I even submitted my initial project proposal for this creative assignment, I knew that I wanted music to be a theme in some shape or form. To me, an artistic rendition of sound is meant for so much more than a few minutes of enjoyment.
As a self-proclaimed military historian, the Battle of Nagashino has always signified a shift in the nature of warfare in my eyes. From the use of unique barricades which provided musketeers the freedom to choose their targets and remain relatively immune to melee attacks, to the advanced level of volley fire said to have been used on the battlefield, Nagashino presented me the opportunity to depict how technology shipped from the Ottoman Empire transformed the Japanese archipelago militaristically, laying the foundation for decades of ruthless combat.
The sky glows a hellish orange, the scent of burning hair permeating the air. A cacophony of snapping wood and collapsing structures overpowers screams as fire whirls engulf those not fast enough. The horizon, similarly aglow, offers no refuge. To all trapped within this burning testament to man’s
power, the world must have seemed to come to an end.
Cultures grow, wilt, and rebloom. China, Japan, and Korea adapt East Asian traditions to their own cultural contexts, developing and drawing from a uniquely interconnected history. Many cultural practices in East Asia are highly coherent across borders.